DISNEY’S NEW “BEAUTY & THE BEAST”: MORE LGBTQ PROPAGANDA FROM THE MAGICK QUEENDOM

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DISNEY’S NEW “BEAUTY & THE BEAST”: MORE LGBTQ PROPAGANDA FROM THE MAGICK QUEENDOM
BY WILLIAM F. JASPER
republished below in full unedited for informational, educational, and research purposes:
 

What next? A Brokeback Mountain version of Old Yeller? A transgendered Mickey Mouse? Bruce “Caitlyn” Jenner starring in the father role in a remake of Swiss Family Robinson?
Don’t laugh, the above absurdities — and worse — are no doubt
percolating on the diversity/perversity menu at the Magick Queendom.

Not content with showing two 13-year-old boys kissing on The Fosters and the LGBTQ agitprop of The Real O’Neals
(the creation of virulently anti-Christian, foul-mouthed, homosexual
fanatic Dan Savage), the Disney-ABC Television Group is releasing its
live-action version of the classic fairytale Beauty and the Beast as a new milestone for “gay” advancement. It is being celebrated as Disney’s first film with an openly gay character.

Queer hearts are all a twitter, it seems, over the news that Gaston’s
sidekick, LeFou (played by Josh Gad) is a flamboyant flamer who has a
crush on Gaston.
The film’s director, Bill Condon, addressed the growing
buzz over the gay subplot at a press conference in Beverly Hills on
Sunday. “I talked before about how we translate this into live-action.
That means building out the characters. It’s also a translation to 2017,
you know?” Condon said, according to People magazine.

“And what is the movie about? What has this story always been about
for 300 years? It’s about looking closer, going deeper, accepting people
for who they really are,” Condon averred.
“And in a very Disney way,” he continued, “we are including
everybody. I think this is for everybody, and on the screen we’ll see
everybody. And that was important to me.” Yes, no doubt it is important
to Condon, who is openly homosexual and has made the mainstreaming of
perversion a major career goal.
His 1998 film Gods and Monsters celebrated the life of homosexual James Whale, the director of the 1931 movie Frankenstein. He also directed the 2004 film Kinsey, which glorified the famous sex “expert” Alfred Kinsey. Of course, Condon ignored the extensive and heroic research of Dr. Judith Reisman that
exposed Kinsey not only as a fraud and an infamous pervert, but also as
a criminal who engaged in the most vile sexual abuse of young children,
including even infants.
“LeFou is somebody who on one day wants to be Gaston and on another
day wants to kiss Gaston,” revealed Condon, in an earlier interview with
the homosexual magazine Attitude. The publication gushed that
the new children’s movie is “a treasure trove of gay secrets — and is
set to make history.” The magazine excitedly noted:

Disney’s live-action remake of Beauty and the Beast has
quickly become one of the most eagerly anticipated movies in history,
smashing records when its first trailer racked up more than 127 million
views in just 24 hours last November.
While the reimagined romantic classic,
featuring Emma Watson and former Downton Abbey star Dan Stevens, might
seem like the ultimate celebration of heterosexual love, it’s actually
harbouring a treasure trove of gay secrets — and is set to make history
with Disney’s first ever “exclusively gay moment” on film.

The article states that Attitude editor-in-chief Matt Cain “has welcomed the news as a landmark moment for LGBT representation.”
“It may have been a long time coming but this is a watershed moment
for Disney,” Cain says. “By representing same-sex attraction in this
short but explicitly gay scene, the studio is sending out a message that
this is normal and natural — and this is a message that will be heard
in every country of the world, even countries where it’s still socially
unacceptable or even illegal to be gay.”
Only a First Step
Editor-in-chief Cain added: “It’s only a first step towards creating a
cinematic world that reflects the one in which many of us are now proud
to live. But it’s a step in the right direction and I applaud Disney
for being brave enough to make it — and in doing so hopefully helping to
change attitudes and bring about real social progress.”
In truth, this latest move with Beauty and the Beast
is but one of many steps along a strategic continuum that Disney has
been consciously plotting for a good number of years. The Disney
entertainment empire is a key player in the Rainbow Mafia, the
homosexual syndicate that has as its prime directive the “overhauling of
straight America.” That’s how homosexual strategists Marshall Kirk and
Hunter Madsen characterized their overarching subversive plan in their
1989 bestseller After the Ball: How America Will Conquer Its Fear and Hatred of Gays in the 90’s. We described the Kirk-Maden game plan in considerable detail in “The Queering of America,” in the June 8, 1998 issue of The New American.
As we noted in that article, Disney “epitomizes the astonishing
transformation” among the large number of Fortune 500 corporations that
have jumped on board the politically correct bandwagon for LGBTQ rights.
In fact, that same year, lesbian activist Elizabeth Birch, then
executive director of the Human Rights Campaign, the largest U.S. LGBTQ
lobbying group, praised Disney for its supposedly enlightened stance on
this crucial moral-spiritual-social issue.

“In the past few years,” we reported, nearly two decades ago, “the
company once synonymous with wholesomeness and quality family
entertainment has become a leading purveyor of perversion — and the
target of repeated campaigns by churches and religious organizations
offended by its scandalous productions. Who would have thought it
possible that the beloved Magic Kingdom would so soon after Walt
Disney’s passing turn into a Wicked Empire that: hires a convicted child
molester to direct a movie; recruits an open lesbian and an avowed
homosexual to top executive positions; publishes openly pro-homosexual
books directed toward youngsters; injects subliminal pornographic images
into its animated movies; produces a children’s animated epic with sub
rosa homosexual characters; and sponsors an annual homosexual
confabulation at Disney World that subjects unsuspecting families to the
rowdy and raunchy activities of hordes of deviants?”
We reported way back then:

In her keynote address to the 1998
University of California Lesbian, Gay, Bisexual, Transgendered
Association’s “Exposed!” conference, Elizabeth Birch triumphantly
revealed a deep, dark secret. First she asked furtively, “Is there any
press in the room?” Then she explained: “Okay, I’m gonna tell you —
’cause some of these conversations are very private — but when I said to
Michael Eisner, CEO of Disney, [that] ’30 percent of your employees are
gay,’ he said, ‘You are wrong, Elizabeth, it’s 40 [percent].'”

If 40 percent of Disney’s employees were “gay” in 1998, it’s a fair
bet that the LBGTQ meter would register quite a few points higher today.
The trend that was nurtured under CEO Eisner has been continued under
his successor, Bob Iger, the former president of ABC Television, who
took over as Disney CEO in 2005. Among other LBGTQ milestones at the
company are the 2014 episode of The Disney Channel kid’s TV program Good Luck Charlie,
which introduced a lesbian couple and their toddler daughter, and the
2016 appointment of George Kalogridis as Walt Disney World’s first
openly gay president.
But back to Beauty and the Beast. Besides director Condon
and the LeFou character, there are additional LGBTQ “bonuses” that are
sending frissons of excitement through queerdom. Gaystarnews.com, for
instance, reports that the characters Gaston and Cogsworth are played by
real-life homosexual stars. In an article entitled “The gay secrets of
the new Beauty and the Beast movie — including Disney’s first gay character and love scene,” the Gay Star News reports:

Luke Evans as Gaston
He’s starred in hits including Dracula Untold and The Girl On the Train.
But British actor Luke Evans has landed his highest profile role yet as the Beast’s love rival: the arrogant Gaston.
Luke makes no secret of the fact he is
gay, although he doesn’t tend to talk about his relationships in
interviews, so fewer people are aware of his sexuality than you might
expect.
“I don’t blast it from the rooftops because I’m a very private person,” he told The Guardian last year. “And it doesn’t affect anything. But it’s life. This is who I am as Luke.”
Sir Ian McKellen as Cogsworth
He’s already appeared in numerous blockbusters — the X-Men and Lord of the Rings franchises to name but a few.
Now Sir Ian, possibly the world’s best-loved gay actor, is to play Cogsworth, the talking clock.
Sir Ian came out as gay in 1989, at the
age of 49. Since then, through his work with Stonewall and beyond, he’s
become one of the world’s most powerful champions of LGBTI rights.

So, by all means, if you’re OK with the “overhauling of straight
America,” and you think the eye candy of Disney’s culture vultures is
more important than your children’s souls, take the family to see the
“gorgeously filmed” new toxic offering from the Magick Queendom. On the
other hand, if you have decided instead to take a stand against cultural
subversion and our society’s suicidal slide toward the abyss, you could
not only boycott this new perverse product (and urge others to do so as
well), but cut any ties you may have to the Disney Channel and all
other Disney product lines.

Related articles:
The Queering of America
From Normal to Abnormal
Study Finds No Scientific Basis for Transgenderism
Morality Meltdown: The Culture War Waged by America’s Liberal Elite
The Transgender Con: Rending Bodies and Twisting Minds 
School District: Shh, Don’t Tell Parents a (“Transgender”) Boy Is Bunking With Their Daughter
The Slippery Slope to Pedophilia 
According to Kinsey, Deviancy Is the New Normal
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DISNEY CONTINUES TO ACT AS A SOCIAL CHANGE AGENT 
(Friday Church News Notes, March 10, 2017, www.wayoflife.org,
fbns@wayoflife.org, 866-295-4143) – 
“Disney continues to act as a major
social change agent by its attempt to normalize and glorify
homosexuality. Its new remake of
Beauty and the Beast features a homosexual relationship. Movie director Bill
Condon says, “LeFou [a companion of Gaston] is somebody who on one day
wants to be Gaston [a muscular hunter who wants to marry Belle, the
‘beauty’] and on another day wants to kiss Gaston. He’s confused about
what he wants. It’s somebody who’s just realizing that he has these
feelings. And Josh makes something really subtle and delicious out of
it. … at the end … it is a nice, exclusively gay moment in a Disney
movie” (“Beauty and the Beast Remake,” Christian Headlines
,
Mar. 2, 2017).
Fallen human nature has many “feelings” that are
powerful and “natural” but unlawful before God, but modern society
denies God and seeks to legitimize all human feelings through a
relativistic morality. Few men have had more influence on American
society and the modern global culture than Walt Disney. He pioneered the
American animation industry and captivated children’s hearts with
cartoon characters such as Mickey
Mouse
and Donald Duck. He took Hollywood fantasy to a new level of influence
with the building of Disneyland in California and Disney World in
Florida. Disney’s animated classics are filled with pagan and occultic
imagery such as witches and demons, sorcerers and spells, genies and
goblins, which is strongly denounced by Scripture. Like
Harry Potter and Lord of the Rings,
Disney cartoons present the false and damnable concept that there is
good and bad magic. Disney did not attend church, and there are no
churches on Main Street in Disneyland or Disney World, even though there
were churches on practically every main street in America when
Disneyland opened in 1955. Multitudes of Christian parents have unwisely
allowed Disney’s cartoons and movies to influence their children. When
Disneyland opened,
Time
magazine featured Walt Disney on its cover and called him “the poet of
the new American humanism.” Indeed. The acceptance of Hollywood’s
“entertainment” by American churches over the past half century helped
paved the way for the wholesale apostasy that we witness today and the
destruction of morality in society at large” 

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SEE ALSO:
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